My practice explores how our understanding of self is layered and continually evolving. Much of my recent work has emerged from two significant personal experiences: early motherhood and the discovery that I am donor conceived. I navigate themes of disrupted identity through autobiographical memories and material exploration. Across the work, identity is understood not as fixed but as something composed of multiple narratives: the remembered, the inherited, and the imagined.

Working primarily with ceramics, I use material processes to reflect states of transition, vulnerability, and becoming. Shapes and forms often evoke portals or thresholds, creating spaces to pause, reflect, and move through. My work speaks both to abstraction and the body, using shifting surfaces and subtle distortions to convey meaning. I am influenced by modernist sculpture’s visceral engagement with form, materiality, and the human experience and I aim to create an environment of introspection around my work.